The Writers Tribe: Workshops for Young Writers

In honour of National Youth Week 2013 The City of Unley is putting on a day of free workshops for young writers on

Saturday 13 April 2013
10 am–4 pm
at Unley Town Hall

Follow this link to download a program and get writing!

Adelaide Writers' Week

Adelaide Writers' Week is coming up fast.  The fabulous Laura Kroetsch has done another wonderful job of lining up new and exciting writers to share their world with us. 
I'll be chairing a panel with guests Nick Bland and Tohby Riddle on The Art of the Picture Book.  It starts at 3.45 pm on Sunday 3rd March and it will be a test of Qantas' scheduling and Melbourne's weather since I fly in to Adelaide about an hour prior to the start  of the session.  If I'm not there please will someone take over for me?

Nick and Tohby are such different creators of picture books - Tohby trained at the Sydney College of the Arts in a time when art was very conceptual - 'smearing butter on the walls and calling it art' according to Tohby.  Nick was self-taught but watched his father, a sculptor and artist who had to teach to keep his family alive and Nick felt his dad sacrificed his happiness this way.   

Nick is a huge fan of Tohby's work which he sees as in some ways wonderfully self-indulgent compared to his own books which are definitely aimed at a commercial market.  Tohby would disagree - I asked him if Unforgotten,  his latest picture book was a self-indulgent work and he was very clear that in his mind it was not.  The idea came from a very deep feeling and over a period of five years images and feelings would pop into his head; exciting, spine tingling ideas that he just couldn't grasp but that he had to find a way to give form to.  A lot of Tohby's work is like this - getsating for years, growing in depth and meaning.  A fidelity to the ideas is required and this is demanding in many ways.

Nick, who lives on the beach in the relaxed capital of Australia, Darwin, has a very different take on the work of making picture books.  His most recent picture book had a print run of 120 thousand and Nick will happily compromise to ensure his books sell.  Since he has now sold well over a million copies of his books this clearly works for him.  My own grandchildren absolutely love his books and they are  a joy to share so if there were compromises they worked brilliantly.

So two very different writer/illustrators and both with extraordinarily successful works that appeal to many people.  Making picture books is demanding and requires many people to bring the work to publication.  It is a great pleasure and a privilige to share this work with talented and passionate people.  Judging by the many hundreds of picture book submissions we receive every year it is clear there are a lot of people who would like to join this fraternity, but only a handful ever make it.

I'm looking forward to this discussion.

Jaipur Literary Festival

I have wanted to go to this particular literary event for three years now and at last this January I went.
It was well worth the trip.  If you are even vaguely curious about India or about Indian writing I would encourage you to attend.  Because it can be somewhat daunting to get all the information you need about attending the festival I have set out the steps that may help you get there from Australia.

Getting there from Australia
Once you make the decision to attend the Jaipur literary Festival you should immediately begin the process of arranging your visa.  The place to start this is online at http://indianvisaonline.gov.in/visa/  This will be your first taste of Indian bureaucracy but not your last.  It can be a lengthy process so be prepared with all documents required before you begin to fill in the forms.  Details such as your parent’s names seem oddly unnecessary until you arrive in India and see that the Pakistani threat is very serious indeed and so such detail is important to them.  Indian visas require a photograph that is not the usual passport size taken at post offices.  You will need to locate an actual photographer and have it done in a studio.

Next register for the festival.  This is mandatory – you will not be able to enter the site without having done so – however it is possible to register on arrival depending on availability.  I advise pre-registration however.  The lines can be long. http://jaipurliteraturefestival.org/registration

Get your inoculations
Recommended are Hepatitis, cholera, and malaria tablets.  If instead of using a specialist travel doctor you use your family doctor and shop around for the drugs it can save literally hundreds of dollars. 
Take mosquito repellent tho there were no mosquitoes while I was there. Take hand sanitiser – you will need it frequently.  Be sure to wash your hands just as frequently since the sanitiser seems to move the dirt about rather than actually remove it.  Take antibiotics if you think you might get Delhi belly.  This allows you to treat a bacterial infection.  Your doctor will have other suggestions.  I ate from food carts and did not get sick.  Drink only bottled or filtered water. 

Flights
I flew Singapore airlines.  The service was excellent.  Qantas have flights but these are more expensive.  Singapore Airlines was the cheapest I found. If you have to overnight in Singapore as I did it is advisable to book a room at the transit lounge at least three weeks in advance as rooms are not likely to be available on the day.  Here for a budget room you get a bed, table and television should you wish to watch it rather than sleep.  The shower and toilet facilities are shared, clean and good.  It costs around S$40 for six hours from midnight to six am and avoids you having to wander the corridors wondering why duty free goods cost twice as much as anywhere else.  book a room at http://www.gosimply.com/airport-lounges/singapore/singapore-airport/sin3atl

Arrival
You will transfer from the Delhi international airport to the domestic airport by walking from one to the other.  You will not be permitted to leave the airport – heavily armed militia will prevent you from attempting this.  The overwhelming presence of the military is both reassuring and terrifying by turns.  They carry AK47’s and hand guns.  They do not smile.  No one other than passengers with boarding passes and passports can enter an airport in India.  It is advisable when departing to allow at least three hours prior to boarding.  The bottle neck at Jaipur airport was long and unpleasant as people struggle to just enter the airport through the many security checks.  You will have your baggage which is to be loaded on the plane strapped automatically once it has been passed through the scanner.  This is a slow process as each bag is painstakingly checked.  TAKE CARE to attach the baggage label you are given at the airline counter to your hand luggage.  This is stamped and without it you cannot proceed through the subsequent security checks.  You will walk through the usual electronic ‘gate’ and then be patted down and have the wand passed over you and your hand luggage. There are three such security checks before you reach the boarding gate.  Even as you are about to board you are stopped on the gangplank and your boarding pass is stamped for a fourth time.  I watched an international author be sent all the way back to the first security point as we were about to board – he had lost a tag.

Accommodation
There are many possible places to stay depending on your taste and required level of comfort.  A number of authors and publishers from overseas were staying at the Country Comfort but I understood it wasn’t very special.  I stayed at a homestay called Ikaki Niwas.  http://www.ikaki.in/
This was so good I would unhesitatingly recommend it to anyone.  It has only been open for a couple of years and is run by a warm and friendly young married couple called JD and Devi. It won a Trip Advisor Traveller’s Choice award for 2013.   They arrange a driver to pick you up from the airport and drive you back.  This was complimentary. It is a short trip by Tuk Tuk (a charmingly wild and death defying vehicle, diesel powered and three wheeled) to the festival site and the journey costs approximately 100 rupee or about $2.  Tuk Tuk’s are easily obtained right outside on the main road. Check for current rates at Ikaki but our rate included all meals which are beautifully prepared and vegetarian.  Laundry can be sent out at night and is returned in the morning.  It costs very little to do a bag of washing.  This is a non-smoking venue.  JD was able to arrange vehicles for us to see the Taj Mahal, Amber Fort and an extraordinary Mughal palace – drivers were excellent and the cost was very little.  He will help with any query, speaks beautiful English and is the perfect host.  The cook reminded us a lot of Manuel but he isn’t slapped about the head by JD.

Buying block prints and eating salad
Jaipur is famous for its textiles and particularly the block printing.  To buy this go to Anokhi – it is fabulous, supports the artisans, sells real block printed clothing and there you can eat a brilliant, safe salad, have a great cup of tea and generally relax.  Their museum is also well worth a visit. I had no trouble getting there (you will see a warning about drivers on their site).  When leaving it’s a good idea to stuff the distinctive red shop bag into another bag or the new driver is likely to charge you double. http://www.anokhi.com/anokhi/visitingjaipur.html

Transport
Cabs are usually arranged by the hotel or homestay – I did not see any ‘for hire’ signs.  They are inexpensive but for a true Indian experience try either the Tuk Tuk or a rickshaw.  If you are overweight do not put the rickshaw rider through it however.  They struggle so hard over terrible roads determined to get their passengers to their destination and expending more energy than they can take in from the few calories they obtain each day.  They may, literally, be working themselves to death.  Tip them generously though they do not expect it.  You can afford it.
Always fix the price of your journey at the outset before you get into any vehicle.  You can haggle but it may not be worth it.  Driving in any form of transport is akin to finding yourself suddenly inside a video game where there are no traffic rules other than honking and slipping into impossible spaces as fast as you can.  They tend to ignore lanes altogether and prefer in fact to drive right down the centre line.  I was told this is to best avoid the occasional dog, cow, pig or person which may decide to launch itself from the side of the road.  It is at best a white knuckle adventure.  Shutting your eyes and crying ‘oh god’ just makes the driver laugh like mad.

Beggars
These proved to be far fewer than I expected but are almost always women with babies and the babies scratch on the car windows or tug at you as you pass.  This is truly heart breaking but the advice is not to give them money since it perpetuates the begging by children and often the money is taken by a man who is controlling many beggars.  You can give them food however which is easily obtained in most places from street vendors.

Is it really dirty?
Jaipur and Delhi were surprisingly clean.  There are slums of course and here the filth can be very overwhelming but even there rubbish is sifted by rag pickers and swept into piles which are collected.  I saw some examples of terrible filth in the old city – if you are particularly sensitive you can easily avoid these places.  Cows, pigs, goats, dogs (oh they are so very sad) donkeys camels and even elephants share the roads.  Dung is collected, mostly, dried and used for fires.  We were never accosted by any animal or person while walking in Jaipur.  It felt very safe indeed.

 The Festival itself
The first festival in 2005 had 14 visitors ‘most of whom were tourists who took the wrong turn’. This year the festival expected over two million footfalls on the weekend, which happened to coincide with the Indian national holiday, Independence Day.  Since they scan your pass every time you enter the site or leave and at each venue within the site they may be counting each as a footfall.  Nevertheless there was a steady and extraordinarily large stream of people all day long entering the site.  I would have no trouble believing in the figure of more than one hundred thousand people that were initially predicted.

The Indian Times covered the proceeding on the front page each day. The festival received a lot of publicity and is clearly highly regarded within India. There had been threats made against a Muslim author and there were snipers stationed on roofs around the festival – these were quite visible.  Military police are three or four deep at the entrance and scan the crowd.  They were also very visible and in large numbers on site.  You will have to pass through security which includes the scanner, the wand and the pat down before gaining entry. (This happens in every public building).
I was told that the Indian Government had told the organisers that no writer could make any derogatory comment about India – if this happened they would shut down the festival.  Some authors refused to attend at the last minute.  The Dali Lama was there and spoke on day one but for what I assume were security reasons was not listed on the programme – hence I missed him.

The bookshop was well stocked with every author’s work, both backlist and front list. It was doing a very good business indeed and even stocked a beautiful collection of Indian children’s picture books (I bought some).  Paperbacks cost around 400 rupee or less than ten dollars for exactly the same quality we would pay A$25 or more here.  I suggest you leave plenty of room to bring home books.

Young people will hand you a festival brochure as you enter showing the map of the site.  Go also to the information booth and buy a programme for 100 rupee.  This will then allow you to interpret what is otherwise a bare bones programme on the free handout.  The site is beautiful and literally swathed in gorgeous cloth which acts as sun screens and chair covers.  I have never seen such a beautiful literary festival. There is an avenue of orange pink and yellow paper lanterns and everywhere you look is colour and life.  Get to your chosen session as early as possible or you will stand with the hundreds of others who got there late.

There are food stalls around the site – our festivals could take a lesson from the various foods and craft stalls which so enlivened the proceedings. There were stalls for supporting the animals of India, to encourage registration by Indians (this is a huge government initiative to register every Indian national) stalls selling hand crafts made by disabled Indians and by artisans. It reminded me more of Womad than a literary festival site; it was vibrant and interesting and altogether appealing. Toilets are available but remember that in India toilet paper is rarely provided.  You are expected to use the hose.  If you take tissues you can have a western toilet experience however the system is not designed to handle the paper. 

The chairs of some of the sessions were particularly poor; the questions were not as probing as i hoped and they  wandered off topic frequently.  One began to talk about himself at some length while ignore the many questions from the audience. There were sessions which were both in Hindu and in English and were very enjoyable.  At all venues are enormous screens so that you can see the stage no matter where you stand.  There was also a huge twitter feed screen which was good fun. 

 India is like no country I have visited.  I want to return to see more.  The organisers of the Jaipur literary festival told me that they will be beginning a new festival in Bhutan.  i was instantly interested.  Looking back at the overall experience it seems better and better each day and each day I vow never ever to complain about my life again.

As Billal our sweet and funny driver said while wryly contemplating a particularly chaotic Indian moment on the road
‘Ahh.  My incredible India’

And it is.

WordStorm

I am off to Darwin next week to speak at WordStorm, the Northern Territory's literature festival.  This is definitely a treat - not only for the opportunity to escape these cold Adelaide mornings as I walk to the bus covered in all the woolens I can find, but also because it's years (let's see, my youngest was eight when we last visited and he turns 21 this year) since I was last there.  Darwin is a long way from the rest of Australia but such a remarkable part of our country that I am very much looking forward to returning.  I only wish I had the opportunity to visit some of the more spectacular places while there, but sadly that is very unikely.  I hope to have the opportunity to meet and talk with plenty of N.T. writers and illustrators - in particular indigenous creators.  It has long been my wish to publish more indigenous writers and illustrators to complement Omnibus' wonderful backlist in this area.  So if you will be there, come up and say hello.  If you are an illustrator be sure to have a portfolio somewhere handy - include your sketch books; these are where I get most of my inspiration.  Our author Leonie Norrington lives in the Top End and I was excited to be able to visit her 'in situ' so to speak.  But Murphy's Law says Leonie will be in France when I am in Darwin.
Let's hope I get another opportunity to visit in the future.

 ABC radio have just started a monthly on-air bookclub.  They look like starting with our very own Monster Blood Tattoo.  I will post more when I have the details.

I have been thinking a lot about the list recently.  I am really keen to find new writers - people who are capable of realist fiction with powerful narrative and strong story lines. In the past couple of months the in-box has been crowded with picture books again.   I need three new Mates too - if you don't know what these are take a look at the link.

And this picture is not related to any of this post at all, but simply proves I'm doing more than reading on the weekend.

My first croquembouche.

A note from your Conductor.


Mad March, Writers' Week and small-minded people

March in Adelaide is the time rather a lot of strangers roam the street, map in hand, looking for one of a number of events that happen in Adelaide.  Melbourne envies us our cosmopolitan insouciance as we natives wander white-hatted from outdoor event to outdoor event. They can only look on in wonder and disbelief as rain stays away, the sky is blue and a light breeze blows through the parks.  Writers' Week, Womadelaide, The Fringe, the Adelaide Festival, and oh yes, that race. The city is, for a few short days, practically shut down as roads are turned over to race tracks and cars with writing all over them shred their tyres through our leafy parkland streets.  Quite frankly I'd be very happy for Melbourne to steal the race from us like they stole the last one and good luck to them, Albert Park can have it. This year the screaming engines rather spoiled Ennio Morricone's concert and our beloved Premier had to call someone to suggest they turn off their ignitions. Now.  

Boori Pryor – first Australian Children's Laureate speaking at Adelaide Writers' Week

My favourite this year was Writers' Week. With a new director, Laura Kroetsch, at the helm  aided by Anna Hughes they managed to pull off the best event I think we have had in a long time. The truth is, and there are rather a lot of people in cardies who won't like this, Adelaide Writer's Week had become insular, stuffy and boring. There was nothing at all for children's writers, for example, so if you happened to be one or be interested in one it wasn't the place to be. There was nothing for families, the white marquees flapped noisily in any slight breeze and when not flapping did a rather remarkable imitation of plastic saunas.  People used to emerge from sessions and wring out their clothes. 

This year Laura disposed of the marquees which caused instant consternation among the white-hatted brigade. How dare she? Really! Those tents were an institution, didn't this foreigner know that?  (Oh yes, she isn't 'one of us' – indeed she had an actual accent which clearly put her at the back of the bus.)  She moved the food away from the areas where speakers were speaking and the book tent moved closer to the food with a very nice area between them for seating. The weather was perfect (sorry all those who were hoping for bog and wind to ruin it) the speakers were potent and the audiences excellent. There might not have been as many huge names there but our Writers' Week is famous for bringing in writers before they are famous. We may not have much money to fling at these overseas guests but those that come love the place. There was a brilliant family day, the marquees were replaced with light airy spaces covered by blue sails and the backdrops and entrance were woven sapling branches which added to the sense of lightness and creativity. And in a master stroke, the week was dedicated to children's writer, Margo Lanagan. Margo and I began writing at the same time – both published by Allen and Unwin. Margo went on to international fame ... sigh.

What a pity some of the very big publishers decided not to send their publicists when they had up to fourteen of their authors attending. There were no publisher parties this year either - are these publishers pinching in their belts and sticking the good wine under their desks perhaps? There is no doubt the industry is suffering right now and if it wasn't bloody-mindedness then I can only assume lack of funds was the problem.

Congratulations to Laura and her team.  Here's to many more innovative and exciting Writers' Weeks under her guidance. And here's to all those doubters and naysayers realising change isn't always a bad thing - sometimes it actually improves our world. Bring it on, Laura!

A note from your Conductor xx

Bait for the Reader

Sometimes you ought not research the person whose talk you are going to see.  In the internet age a great deal of everything anyone has ever said is already on youtube.  Googling the name of the speaker/presenter can take you, as it did me, direct to the very words he or she will be speaking.  That might not be a bad thing unless you'ver paid good money for tickets.  In my case the tickets were a welcome Christmas gift so I wasn't actually out of pocket.  Just a wee bit out of sorts because I had hoped to be surprised.  The speaker was Ira Glass.  The subject was the structure of story.  If you go to this link and watch all four parts you will have saved yourself the $45 for a ticket and learned something at the same time.
The art of the story
Ira Glass is  certainly interesting.  He can tell a story and he understands structure (he studied semiotics).  He made me think and I loved the way he used his iPad to run the whole show on stage.

But I wish I had remembered to buy tickets to David Sedaris.  I think he might have been more fun.

A note from your Conductor xx

The Three Doors Trilogy: The Golden Door

The Editors had a brush with awesomeness last week while attending a talk given by Emily Rodda right here in Adelaide. Emily's latest book, the first in a new trilogy, is The Golden Door and after taking many, many questions from her audience of thoughtful, clever and perceptive children, Emily signed books like a warrior for each and every child who had the courage to approach The Signing Table. There was certainly a buzz in the air. This is the book, out this month, currently being devoured by legions of Emily Rodda fans all over.

And this from Emily Rodda herself about this new trilogy:

'I have always been fascinated by the idea that our choices lead us along different paths in life. Whenever we make a choice, even if it’s as simple as deciding between two tracks on a bushwalk, we may be changing our future. The left-hand track might have the hidden rock that is going to trip us and cause an injury that will affect us for years to come. The right hand track might give us the chance to meet someone who is going to be our friend for life. Obviously many other people have felt the same, because many old legends and fairy tales are based on the theme of choice. I decided to use three doors as my central theme in this trilogy because, firstly, whenever I see a closed door I want to see behind it, and secondly because I have always thought of books as ‘doors’—ways into other places, other worlds. The idea for the trilogy also gave me the opportunity to further explore the magic of the ocean in which Deltora lies—and that is something I’ve been wanting to do for a long time.'

Ian Irvine

Hi Everyone!

Just letting you know that I'm blog touring Grim and Grimmer over the next couple of weeks. The full list is here.

I'm also active at Supanova in Brisbane and the Bellingen Readers and Writer's Festival over this period, so lots of promotion going on.

Cheers

Ian

(Now there's a busy author! Go, Ian!)

A treat from our book files, the original illustration of the one and only Con Glomryt, by Martin McKenna

Dymocks Children's author reading afternoon

On 21 November between 2 and 5 pm many of our lovely Omnibus authors and illustrators will be catching the bus* to Dymocks Adelaide to be seen and heard at a special event for children. Get all the info here.

Robyn Opie Malcolm Walker Claire Richards Greg Holdfeld Rosanne Hawke

Ruth Starke Jane Jolly David Cornish Don Henderson Janeen Brian

Katrina Germein Dan McGuinness Ben Chandler Allayne WebsterRobert Moore

Elizabeth Hutchins Sally Heinrich Sean Williams Rebecca Burton Lauren Fuge

* Authors and illustrators reserve the right to determine their own mode of transport, but we recommend the bus.